TAYLOR, WINIFRED
Name:
Full Birth Name:
Married Name:
Profession:
Professional Years:
Where Practised:
SYMONS, VERA
Name:
Full Birth Name:
Married Name:
Related Portfolios:
Notes:
Profession:
Professional Years:
Where Practised:
Album
Portrait of five year old Ronnie, sitting on a rocking horse. Warm toned, black and white photograph on a decorative mount. Taken late 1926 at the J Ward Symons studio. Photoria Collection.
Portrait of five year old Ronnie, sitting on a rocking horse, (reverse side). Warm toned, black and white photograph on a decorative mount. Taken late 1926 at the J Ward Symons studio. Photoria Collection.
Portrait of a wedding group. Warm-toned black and white photograph on a cream mount. Taken in the 1920s at the J Ward Symons Studio. Photoria Collection
Portrait of the bride and groom. Black and white full-length portrait mounted on a grey marbled mount. Taken post 1932, in the new studio, Ward Symons, on Hopkins St, in Footscray. Photoria Collection.
Portrait of mother and baby. Warmed-toned black and white photograph on textured paper. Taken mid-1940s at the Ward Symons Studio on Hopkins St, Footscray. Photoria Collection
SWEET, ELIZABETH
Name:
Full Birth Name:
Married Name:
Notes:
Profession:
Professional Years:
Where Practised:
Album
Crowds gathered outside the church during the funeral for Alexander Russell, Dean of Adelaide, 1886. One the photographs taken by Elizabeth Sweet of this event. State Library of South Australia, B 43150.
Crowds gathered to wait while the Dean’s funeral was in process. One of the photographs taken by Elizabeth Sweet of the Funeral of the Dean of Adelaide, Alexander Russell, on 29 May 1886. State Library of South Australia, B 43149.
Dean Russell’s Funeral procession from St Paul’s, 1886. One of the photographs taken by Elizabeth Sweet of the Funeral of the Dean of Adelaide, Alexander Russell, on 29 May 1886. State Library of South Australia B 43151
SUTHERLAND, MABEL
Name:
Full Birth Name:
Married Name:
Related Portfolios:
Profession:
Professional Years:
Where Practised:
Album
The Construction of the Maroondah Dam, c1927. Taken by Sutherland during the Dam’s construction. Her photographs are unlike many taken of the Dam during this period. This is mainly due to her emphasis on the positioning of the Dam within the mountain scenery as a landscape scene, rather than details of its construction. Source: Photoria Collection
The Construction of the Maroondah Dam, 1927, (reverse side). Along with the date Sutherland’s logo is included. Taken by Sutherland during the Dam’s construction. Her photographs are unlike many taken of the Dam during this period. This is mainly due to her emphasis on the positioning of the Dam within the mountain scenery as a landscape scene, rather than details of its construction. Photoria Collection
The Construction of the Maroondah Dam, 1927. Taken by Sutherland during the Dam’s construction. Her photographs are unlike many taken of the Dam during this period. This is mainly due to her emphasis on the positioning of the Dam within the mountain scenery as a landscape scene, rather than details of its construction. Photoria Collection
The Construction of the Maroondah Dam, 1927, (reverse side). Along with the date Sutherland’s logo is included. Taken by Sutherland during the Dam’s construction. Her photographs are unlike many taken of the Dam during this period. This is mainly due to her emphasis on the positioning of the Dam within the mountain scenery as a landscape scene, rather than details of its construction. Photoria Collection
The Construction of the Maroondah Dam, 1927. Taken by Sutherland during the Dam’s construction. Her photographs are unlike many taken of the Dam during this period. This is mainly due to her emphasis on the positioning of the Dam within the mountain scenery as a landscape scene, rather than details of its construction. Photoria Collection
The Construction of the Maroondah Dam, 1927, (reverse side). Along with the date Sutherland’s logo is included. Taken by Sutherland during the Dam’s construction. Her photographs are unlike many taken of the Dam during this period. This is mainly due to her emphasis on the positioning of the Dam within the mountain scenery as a landscape scene, rather than details of its construction. Photoria Collection
SUNNERS, EDITH
Name:
Full Birth Name:
Married Name:
Notes:
Profession:
Professional Years:
Where Practised: