Includes Album and Article Archives | Page 2 of 3

ROPER, AGNES

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Portrait of young woman. c1910s. B&W photograph 5.3cm x 3.8cm, mounted on decorative cream mount with oval centre frame 9.5cm x 7.6cm. Photoria Collection

Weekly Courier, 6 July, 1911, pg 22 and 23. Page 22: Top left corner: Prize Set at Poster Ball; Page 23: Top right corner: Late Mr W Norris. Libraries Tasmania

Weekly Courier, 19 Nov 1914, pg 21. Top left corner: Convent Fife and Drum Band. Libraries Tasmania

Weekly Courier, 26 Aug, 1915, pg 19. Centre right: Australia Day at Devonport. North-Western Tasmania. Libraries Tasmania

Weekly Courier, 16 Aug, 1917, pg 22. Photography no 3: Miss Jean Ritchie of Devonport. Libraries Tasmania

Weekly Courier, 1 Aug 1918, pg 18. Bottom right: Found on a French battlefield. Taken by Arslonga but sitter not known. Libraries Tasmania

Portrait of lady (Mrs Ritchie?) holding Reginald Stewart Ritchie (aged three months). Taken at Arslonga Studio, Devonport, TAS in October 1915. QVMAG, Launceston, TAS. QVM:1998:P:0794

Portrait of Noreen, David, Cyril and Ellen Barratt. Taken at Arslonga studio, Devonport, Tasmania, June 1916(?) In front of them are two dolls “Billy” and “Betty”. Black and white postcard, QVMAG, Launceston, TAS. QVM:1999:P:0104

JUST, ELIZABETH

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A carte de visite portrait taken of Gertrude Mary Waterhouse at Rushton & Just in June 1883. Photoria Collection

Carte de visite portrait (reverse side), taken of Gertrude Mary Waterhouse at Rushton & Just in June 1883. Photoria Collection

A black and white carte de visite of a baby from Rushton & Just taken between 1883 and 1884. State Library South Australia, PRG 249 13 118

A hand-tinted carte de visite of a baby taken at Rushton & Just between 1883 and 1884. Source: Library South Australia, PRG 249 13 119

Portrait of a baby seated on fur rug. Carte de visite by Rushton and Just, taken between 1882 and 1884. Photoria Collection

Portrait of a baby seated on fur rug, (reverse side). Carte de visite by Rushton and Just, taken between 1882 and 1884. Photoria Collection

The first of four cartes des visite proofs taken of the same woman at Rushton & Just between 1883 and 1885. National Archives Australia 33075144

The second of four cartes des visites proofs taken of the same woman at Rushton & Just between 1883 and 1885. In this photograph the sitter wears a brooch which has been hand coloured, presumably by Just. National Archives Australia NAA 33075145

The third of four cartes des visites proofs taken of the same woman at Rushton & Just between 1883 and 1885. National Archives Australia NAA 33075146

The fourth of four cartes des visites proofs taken of the same woman at Rushton & Just between 1883 and 1885. National Archives Australia NAA33075147

A carte de visite portrait of “William” taken by Rushton & Just between 1883 and 1885 and sent to “Frances”. Photoria Collection

A carte de visite of “William”, (reverse side). Taken by Rushton & Just between 1883 and 1885 and sent to “Frances”. Source: Photoria Collection

Portrait of a bearded gentleman. Taken by Rushton & Just between 1883 and 1885. Photoria Collection

Portrait of a bearded gentleman, (reverse side). Taken by Rushton & Just between 1883 and 1885. Photoria Collection

Portrait of three children. Sepia carte de visite taken between 1883 and 1885. Source: Photoria Collection

Reverse of Portrait of three children. Sepia carte de visite taken between 1883 and 1885. Source: Photoria Collection

Portrait of a woman. Carte de visite, sepia. Note the photographer is given as Duryea instead of Rushton and Just. This indicates it was taken around the time Just relinguished her ownership to Duryea in 1886. Photoria Collection

Portrait of a woman, (reverse side). Carte de visite, sepia. On the front of the photograph the photographer is attributed as Duryea instead of Rushton and Just. The back indicates it was taken around the time Just relinquished her ownership to Duryea in 1886. Photoria Collection.

IZARD, DOROTHY

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Personal Pars, from Harringtons’ Photographic Journal, 22 Feb 1912, pg 59. As described in this text, the prints which Izard presented to Harrington’s were colour. As an artist her eye for the subtleties of an image are born out in these photographs. Photoria Collection

Old Gateway, Bordeghira. Harringtons’ Photographic Journal, 22 Feb 1912, frontispiece. As described elsewhere, the prints which Izard presented to Harrington’s were colour. As an artist her eye for the subtleties of an image are borne out in these photographs. Photoria Collection

Street, Bologna, Italy. Harringtons’ Photographic Journal, 22 Feb 1912, pg 35. As described elsewhere, the prints which Izard presented to Harrington’s were colour. As an artist her eye for the subtleties of an image are borne out in these photographs. Photoria Collection

Island of Marken, Holland. Harringtons’ Photographic Journal, 22 Feb 1912, pg 36. As described elsewhere, the prints which Izard presented to Harrington’s were colour. As an artist her eye for the subtleties of an image are borne out in these photographs. Photoria Collection

Volendam, Holland, from Harringtons’ Photographic Journal, 22 Feb 1912, pg 42. As described elsewhere, the prints which Izard presented to Harrington’s were colour. As an artist her eye for the subtleties of an image are borne out in these photographs. Photoria Collection

Island of Marken, Holland, from Harringtons’ Photographic Journal, 22 February 1912, pg 51. As described elsewhere, the prints which Izard presented to Harrington’s were colour. As an artist her eye for the subtleties of an image are borne out in these photographs. Photoria Collection

(Ti-trees), c1920s, silver gelatin photograph, 22.8 × 18.4 cm (image). National Gallery of Victoria, Melbourne. Gift of Miss Lucy Crosbie Morrison, 1992 This digital record has been made available on NGV Collection Online through the generous support of Professor AGL Shaw AO Bequest

HOLLICK, RUTH

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Portrait of young boy seated and wearing a hat. Taken between 1912 and 1918 in Hollick’s Moonee Ponds Studio. Photograph, sepia 92mm x 146mm, offset and mounted on brown card 230mm x 317mm. Photoria Collection

Portrait of a military service man. Taken c1914 to 1918 in her Moonee Ponds studio. Dark sepia print mounted on a lighter brown card. Photoria Collection.

Portrait of a baby reclining on a pillow. Photograph, hand-coloured, framed in an oval, 247mm x 351mm, mounted on buff card 369mm x 504mm. Photoria Collection.

Portrait of Amy Johnson. Hollick took this portrait, and others, of the aviator, Amy Johnson, while she was in Melbourne between 16th and 26th June, 1930. One of these became the official portrait of Johnson in Australia and gained for Hollick an international reputation. Photoria Collection.