TOONE, LILLIAN
Name:
Full Birth Name:
Married Name:
Notes:
Profession:
Professional Years:
Where Practised:
PIGGIN, FLORENCE
Name:
Full Birth Name:
Married Name:
Notes:
Profession:
Professional Years:
Where Practised:
MCDONALD, MARGARET
Name:
Full Birth Name:
Married Name:
Notes:
Profession:
Professional Years:
Where Practised:
IZARD, DOROTHY
Name:
Full Birth Name:
Related Portfolios:
Notes:
Profession:
Professional Years:
Where Practised:
Album
Personal Pars, from Harringtons’ Photographic Journal, 22 Feb 1912, pg 59. As described in this text, the prints which Izard presented to Harrington’s were colour. As an artist her eye for the subtleties of an image are born out in these photographs. Photoria Collection
Old Gateway, Bordeghira. Harringtons’ Photographic Journal, 22 Feb 1912, frontispiece. As described elsewhere, the prints which Izard presented to Harrington’s were colour. As an artist her eye for the subtleties of an image are borne out in these photographs. Photoria Collection
Street, Bologna, Italy. Harringtons’ Photographic Journal, 22 Feb 1912, pg 35. As described elsewhere, the prints which Izard presented to Harrington’s were colour. As an artist her eye for the subtleties of an image are borne out in these photographs. Photoria Collection
Island of Marken, Holland. Harringtons’ Photographic Journal, 22 Feb 1912, pg 36. As described elsewhere, the prints which Izard presented to Harrington’s were colour. As an artist her eye for the subtleties of an image are borne out in these photographs. Photoria Collection
Volendam, Holland, from Harringtons’ Photographic Journal, 22 Feb 1912, pg 42. As described elsewhere, the prints which Izard presented to Harrington’s were colour. As an artist her eye for the subtleties of an image are borne out in these photographs. Photoria Collection
Island of Marken, Holland, from Harringtons’ Photographic Journal, 22 February 1912, pg 51. As described elsewhere, the prints which Izard presented to Harrington’s were colour. As an artist her eye for the subtleties of an image are borne out in these photographs. Photoria Collection
(Ti-trees), c1920s, silver gelatin photograph, 22.8 × 18.4 cm (image). National Gallery of Victoria, Melbourne. Gift of Miss Lucy Crosbie Morrison, 1992 This digital record has been made available on NGV Collection Online through the generous support of Professor AGL Shaw AO Bequest
HOLLICK, RUTH
Name:
Full Birth Name:
Married Name:
Related Portfolios:
Notes:
Profession:
Professional Years:
Where Practised:
Article
Album
Portrait of young boy seated and wearing a hat. Taken between 1912 and 1918 in Hollick’s Moonee Ponds Studio. Photograph, sepia 92mm x 146mm, offset and mounted on brown card 230mm x 317mm. Photoria Collection
Portrait of a military service man. Taken c1914 to 1918 in her Moonee Ponds studio. Dark sepia print mounted on a lighter brown card. Photoria Collection.
Portrait of a baby reclining on a pillow. Photograph, hand-coloured, framed in an oval, 247mm x 351mm, mounted on buff card 369mm x 504mm. Photoria Collection.
Portrait of Amy Johnson. Hollick took this portrait, and others, of the aviator, Amy Johnson, while she was in Melbourne between 16th and 26th June, 1930. One of these became the official portrait of Johnson in Australia and gained for Hollick an international reputation. Photoria Collection.