THOMPSON, GRACE
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SUTHERLAND, MABEL
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Album
The Construction of the Maroondah Dam, c1927. Taken by Sutherland during the Dam’s construction. Her photographs are unlike many taken of the Dam during this period. This is mainly due to her emphasis on the positioning of the Dam within the mountain scenery as a landscape scene, rather than details of its construction. Source: Photoria Collection
The Construction of the Maroondah Dam, 1927, (reverse side). Along with the date Sutherland’s logo is included. Taken by Sutherland during the Dam’s construction. Her photographs are unlike many taken of the Dam during this period. This is mainly due to her emphasis on the positioning of the Dam within the mountain scenery as a landscape scene, rather than details of its construction. Photoria Collection
The Construction of the Maroondah Dam, 1927. Taken by Sutherland during the Dam’s construction. Her photographs are unlike many taken of the Dam during this period. This is mainly due to her emphasis on the positioning of the Dam within the mountain scenery as a landscape scene, rather than details of its construction. Photoria Collection
The Construction of the Maroondah Dam, 1927, (reverse side). Along with the date Sutherland’s logo is included. Taken by Sutherland during the Dam’s construction. Her photographs are unlike many taken of the Dam during this period. This is mainly due to her emphasis on the positioning of the Dam within the mountain scenery as a landscape scene, rather than details of its construction. Photoria Collection
The Construction of the Maroondah Dam, 1927. Taken by Sutherland during the Dam’s construction. Her photographs are unlike many taken of the Dam during this period. This is mainly due to her emphasis on the positioning of the Dam within the mountain scenery as a landscape scene, rather than details of its construction. Photoria Collection
The Construction of the Maroondah Dam, 1927, (reverse side). Along with the date Sutherland’s logo is included. Taken by Sutherland during the Dam’s construction. Her photographs are unlike many taken of the Dam during this period. This is mainly due to her emphasis on the positioning of the Dam within the mountain scenery as a landscape scene, rather than details of its construction. Photoria Collection
SILVERLOCK, AMY
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Album
A standing woman is posed leaning against a chair. She wears a gold necklet around her neck and has a red rose in her décolletage. This cdv was taken at the George Richards studio in Ballarat around the time that Amy Silverlock worked there. Hand-coloured carte de visite c.1870s, Photoria Collection.
A wedding photograph of a young couple. Hand-coloured carte de visite likely to have been the work of Amy Silverlock. Photograph taken at George Richards’ studio, Bendigo, c1870s. Photoria Collection.
Reverse of a wedding photograph of a young couple. Hand-coloured carte de visite likely to have been the work of Amy Silverlock. Photograph taken at George Richards’ studio, Ballarat, c1870s. Photoria Collection.
SELKIRK, LILA
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LONDON, MAUD
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