photoria lady

PHOTORIA

AUSTRALIAN WOMEN BEHIND THE LENS

1850 – 1950

MACFARLANE, BESSIE

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“The Visitor”. Awarded a prize in the weekly competition of, and published in, The Amateur Photographer and Photographic News, UK, 10 August 1909, pg130. Photoria Collection

“A Head Study”. Profile portrait of a woman. Awarded a prize in the weekly competition and published in The Amateur Photographer and Photographic News, (UK) 14 September, 1909, pg 261. Photoria Collection

“A Study”. Portrait of a woman holding a spray of blossoms. By the Macfarlane Studio. Misses C & B Macfarlane. Published in the Australasian-photo Review, 22 November 1913, pg 587. TROVE

JUST, ELIZABETH

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A carte de visite portrait taken of Gertrude Mary Waterhouse at Rushton & Just in June 1883. Photoria Collection

Carte de visite portrait (reverse side), taken of Gertrude Mary Waterhouse at Rushton & Just in June 1883. Photoria Collection

A black and white carte de visite of a baby from Rushton & Just taken between 1883 and 1884. State Library South Australia, PRG 249 13 118

A hand-tinted carte de visite of a baby taken at Rushton & Just between 1883 and 1884. Source: Library South Australia, PRG 249 13 119

Portrait of a baby seated on fur rug. Carte de visite by Rushton and Just, taken between 1882 and 1884. Photoria Collection

Portrait of a baby seated on fur rug, (reverse side). Carte de visite by Rushton and Just, taken between 1882 and 1884. Photoria Collection

The first of four cartes des visite proofs taken of the same woman at Rushton & Just between 1883 and 1885. National Archives Australia 33075144

The second of four cartes des visites proofs taken of the same woman at Rushton & Just between 1883 and 1885. In this photograph the sitter wears a brooch which has been hand coloured, presumably by Just. National Archives Australia NAA 33075145

The third of four cartes des visites proofs taken of the same woman at Rushton & Just between 1883 and 1885. National Archives Australia NAA 33075146

The fourth of four cartes des visites proofs taken of the same woman at Rushton & Just between 1883 and 1885. National Archives Australia NAA33075147

A carte de visite portrait of “William” taken by Rushton & Just between 1883 and 1885 and sent to “Frances”. Photoria Collection

A carte de visite of “William”, (reverse side). Taken by Rushton & Just between 1883 and 1885 and sent to “Frances”. Source: Photoria Collection

Portrait of a bearded gentleman. Taken by Rushton & Just between 1883 and 1885. Photoria Collection

Portrait of a bearded gentleman, (reverse side). Taken by Rushton & Just between 1883 and 1885. Photoria Collection

Portrait of three children. Sepia carte de visite taken between 1883 and 1885. Source: Photoria Collection

Reverse of Portrait of three children. Sepia carte de visite taken between 1883 and 1885. Source: Photoria Collection

Portrait of a woman. Carte de visite, sepia. Note the photographer is given as Duryea instead of Rushton and Just. This indicates it was taken around the time Just relinguished her ownership to Duryea in 1886. Photoria Collection

Portrait of a woman, (reverse side). Carte de visite, sepia. On the front of the photograph the photographer is attributed as Duryea instead of Rushton and Just. The back indicates it was taken around the time Just relinquished her ownership to Duryea in 1886. Photoria Collection.

JENKINS, EDNA

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Wedding portrait by Edna Jenkins, taken in 1937. Courtesy Julie Dyson.

IZARD, DOROTHY

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Personal Pars, from Harringtons’ Photographic Journal, 22 Feb 1912, pg 59. As described in this text, the prints which Izard presented to Harrington’s were colour. As an artist her eye for the subtleties of an image are born out in these photographs. Photoria Collection

Old Gateway, Bordeghira. Harringtons’ Photographic Journal, 22 Feb 1912, frontispiece. As described elsewhere, the prints which Izard presented to Harrington’s were colour. As an artist her eye for the subtleties of an image are borne out in these photographs. Photoria Collection

Street, Bologna, Italy. Harringtons’ Photographic Journal, 22 Feb 1912, pg 35. As described elsewhere, the prints which Izard presented to Harrington’s were colour. As an artist her eye for the subtleties of an image are borne out in these photographs. Photoria Collection

Island of Marken, Holland. Harringtons’ Photographic Journal, 22 Feb 1912, pg 36. As described elsewhere, the prints which Izard presented to Harrington’s were colour. As an artist her eye for the subtleties of an image are borne out in these photographs. Photoria Collection

Volendam, Holland, from Harringtons’ Photographic Journal, 22 Feb 1912, pg 42. As described elsewhere, the prints which Izard presented to Harrington’s were colour. As an artist her eye for the subtleties of an image are borne out in these photographs. Photoria Collection

Island of Marken, Holland, from Harringtons’ Photographic Journal, 22 February 1912, pg 51. As described elsewhere, the prints which Izard presented to Harrington’s were colour. As an artist her eye for the subtleties of an image are borne out in these photographs. Photoria Collection

(Ti-trees), c1920s, silver gelatin photograph, 22.8 × 18.4 cm (image). National Gallery of Victoria, Melbourne. Gift of Miss Lucy Crosbie Morrison, 1992 This digital record has been made available on NGV Collection Online through the generous support of Professor AGL Shaw AO Bequest

IRVING, GERTRUDE

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Portrait of a young woman. Black and white photograph with graphic embellishment, mounted in a light brown folder. Taken at the Melbourne studio of Misses Irving and Harry, c1920s. Sourced for Photoria by Simon Clegg. Photoria Collection.

Portrait of a woman wearing her Australian Women’s Army Service (AWAS) uniform. Taken at the Melbourne studio of Misses Irving and Harry, c1941. Sourced for Photoria by Simon Clegg. Photoria Collection.