JENKINS, GLADYS
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Personal Pars, from Harringtons’ Photographic Journal, 22 Feb 1912, pg 59. As described in this text, the prints which Izard presented to Harrington’s were colour. As an artist her eye for the subtleties of an image are born out in these photographs. Photoria Collection
Old Gateway, Bordeghira. Harringtons’ Photographic Journal, 22 Feb 1912, frontispiece. As described elsewhere, the prints which Izard presented to Harrington’s were colour. As an artist her eye for the subtleties of an image are borne out in these photographs. Photoria Collection
Street, Bologna, Italy. Harringtons’ Photographic Journal, 22 Feb 1912, pg 35. As described elsewhere, the prints which Izard presented to Harrington’s were colour. As an artist her eye for the subtleties of an image are borne out in these photographs. Photoria Collection
Island of Marken, Holland. Harringtons’ Photographic Journal, 22 Feb 1912, pg 36. As described elsewhere, the prints which Izard presented to Harrington’s were colour. As an artist her eye for the subtleties of an image are borne out in these photographs. Photoria Collection
Volendam, Holland, from Harringtons’ Photographic Journal, 22 Feb 1912, pg 42. As described elsewhere, the prints which Izard presented to Harrington’s were colour. As an artist her eye for the subtleties of an image are borne out in these photographs. Photoria Collection
Island of Marken, Holland, from Harringtons’ Photographic Journal, 22 February 1912, pg 51. As described elsewhere, the prints which Izard presented to Harrington’s were colour. As an artist her eye for the subtleties of an image are borne out in these photographs. Photoria Collection